Folk embroidery is one of the most enriching part of the craft heritage of India. Some time back I had written about Kantha, the needle craft of Bengal. This post, I will show case the Phulkari, which literally means the flower craft, of Punjab, one of our most vibrant states.
The origin of Phulkari can be traced to 15th century A.D. The women of Punjab, stitched beautiful dupattas or head scarves for their daughters or the brides of their sons. The cloth primarily used for these shawls or head scarves was home-spun and dyed locally. This strong and long lasting material was cheap and also kept the wearer warm during the bitter cold winters. As the embroidery required counting of threads while doing the straight darn stitches, the coarse weave of the fabric made the task easier.
As these scarves were meant for brides, the base material was generally maroon, scarlet and other red toned bright colours. The thread, which was silk, were yellow, golden or green.These threads, also called pat were brought from Bengal or Kashmir. Motifs were taken from every day life. Flowers were the most common pattern. But so were stars, birds, specially peacocks, animals, and scenes from everyday village life. Intricate geometric patterns were also rather popular.
The Phulkari embroidery is done by straight darn stitches. The stitches are actually worked on the wrong side of the cloth. The pattern takes shape on the right side. The main surface of the stitches are about a quarter or half centimetre long while they are very minute on the reverse. Using long and short darn stitches, women create innumerable designs. Shading and variation are achieved by expertly using horizontal, vertical or diagonal stitches. This gives the illusion of more than one shade when viewed from different angles.
Earlier, the women never traced any patterns on the cloth. They just carefully counted the stitches to create a design. In the absence of a traced pattern, the designs generally passed on from mothers to daughters. Along with the daily chores, a daughter learned phulkari from her mother and contributed to her wedding trousseau.This embroidery was such an integral part of the women of Punjab that one reads or hears of many folklores and songs describe the joys, dreams and yearnings of young girls while embroidering Phulkari.
This craft was never meant for commercial purpose. A Phulkari embroidered shawl was considered to be a gift for young brides. But now this art thrives as cottage industry. There is a decline in Phulkaris embroidered at home. Now, many men have learned this craft and sell Phulkari embroidered bedspreads and curtains, cushion covers and wall hangings. Now Phulkaris are also done on sarees and kurtas and machine embroidered Phulkari dupattas are readily available in the markets at cheaper prices. This obviously has harmed the skilled Phulkari workers. But most importantly, a mother's love for her daughter, which was so painstakingly expressed in the hand crafted designs, has gone completely.
The origin of Phulkari can be traced to 15th century A.D. The women of Punjab, stitched beautiful dupattas or head scarves for their daughters or the brides of their sons. The cloth primarily used for these shawls or head scarves was home-spun and dyed locally. This strong and long lasting material was cheap and also kept the wearer warm during the bitter cold winters. As the embroidery required counting of threads while doing the straight darn stitches, the coarse weave of the fabric made the task easier.
As these scarves were meant for brides, the base material was generally maroon, scarlet and other red toned bright colours. The thread, which was silk, were yellow, golden or green.These threads, also called pat were brought from Bengal or Kashmir. Motifs were taken from every day life. Flowers were the most common pattern. But so were stars, birds, specially peacocks, animals, and scenes from everyday village life. Intricate geometric patterns were also rather popular.
The Phulkari embroidery is done by straight darn stitches. The stitches are actually worked on the wrong side of the cloth. The pattern takes shape on the right side. The main surface of the stitches are about a quarter or half centimetre long while they are very minute on the reverse. Using long and short darn stitches, women create innumerable designs. Shading and variation are achieved by expertly using horizontal, vertical or diagonal stitches. This gives the illusion of more than one shade when viewed from different angles.
Earlier, the women never traced any patterns on the cloth. They just carefully counted the stitches to create a design. In the absence of a traced pattern, the designs generally passed on from mothers to daughters. Along with the daily chores, a daughter learned phulkari from her mother and contributed to her wedding trousseau.This embroidery was such an integral part of the women of Punjab that one reads or hears of many folklores and songs describe the joys, dreams and yearnings of young girls while embroidering Phulkari.
This craft was never meant for commercial purpose. A Phulkari embroidered shawl was considered to be a gift for young brides. But now this art thrives as cottage industry. There is a decline in Phulkaris embroidered at home. Now, many men have learned this craft and sell Phulkari embroidered bedspreads and curtains, cushion covers and wall hangings. Now Phulkaris are also done on sarees and kurtas and machine embroidered Phulkari dupattas are readily available in the markets at cheaper prices. This obviously has harmed the skilled Phulkari workers. But most importantly, a mother's love for her daughter, which was so painstakingly expressed in the hand crafted designs, has gone completely.
Bride Photograph courtesy: www.vdiembroidery.com
Posted By Aparna
Posted By Aparna
